Performing Arts (Dance, Drama, Music)
Subject code 320 · domain paper
Each of those rules names Performing Arts (Dance, Drama, Music) outright — no combination of the other papers reaches them. That is the whole case for spending one of five slots on it.
The paper at a glance
Performing Arts (Dance, Drama, Music) carries the subject code 320. The syllabus described here is the one published for 2026-27.
One document serves four very different disciplines. A sitar student, a Kathak dancer, a tabla player and a theatre student all sit under the same code, and the syllabus keeps their material in separate sections rather than blending it.
How the syllabus is organised
The document is laid out in four sections — Section A: Vocal-Instrumental Melodic (Hindustani-Karnatak Music); Section B: Dance; Section C: Percussion Music (Hindustani and Karnatak); Section D: Drama-Theatre. The cover puts the disciplines in the order "Dance, Drama, Music", but the sections themselves run Music, Dance, Percussion, Drama.
The syllabus is a list of topics only. It does not print question counts, marks, negative marking or timing, and it does not say whether a candidate answers one section or all four. Read it alongside the exam pattern.
Section A: Vocal and instrumental melodic music
Section A: Vocal-Instrumental Melodic — Hindustani-Karnatak Music (seven units) covers Hindustani and Karnatak music together. Most units pair a Hindustani term or raga with its Karnatak counterpart, so a student from either tradition can recognise the ground.
| Unit | What it covers |
|---|---|
| Unit I: Definitions | Sangeet, Nad, Shruti, Swara (Shuddha, Komal, Teevra), Pitch, Intensity, Timbre, Gram, Murcchana, Varna, Alankar, Raga, Alap, Tana, Gamak, Meend, Kan |
| Unit II: Basic concepts | Vadi, Samvadi, Anuvadi, Vivadi, Uttarang, Puravang, Aroh, Avroh, Pakad, Thata (Mela), Jati — Audav, Shadav, Sampurna and its varieties |
| Unit III: Laya and Tala | Laya: Vilambit, Madhya, Drut; Layakari: Dagun, Tigun, Chaugun, Chegun; Tala, Matra, Tali, Khali, Sam, Vibhag, Avartan; knowledge of prominent Talas: Teental, Ektala, Dadra, Keharwa, Jhaptala, Rupak, Adi, Saptala, Chaputala, Rupakam |
| Unit IV: Musical forms | Prabandh, Drupad, Khayal, Thumri, Tarana, Maseet Khani and Razakhani Gat, Kriti, Pallavi, Padam, Tillana |
| Unit V: Contribution of musicians and composers | V. N. Bhatkhande, Omkar Nath Thakur, Allaudin Khan, Mushtaq Ali Khan, Tyagaraja, Purandaradasa, Rabindranath Tagore, Kazi Nazrul Islam |
| Unit VI: Musical instruments and their classification | String (Tatta): Sitar, Tanpura, Saraswati Veena, Sarod, Sarangi, Violin; Percussion (Avanaddha): Tabla, Pakhawaj, Mridangam, Ghatam, Khanjira, Dholak; Wind (Sushir): Flute, Shehnai, Nagaswaram, Harmonium; Metallic (Ghan): Chimta, Cymbal, Ghungaroo, Khadtala, Chipla, Morchung |
| Unit VII: Salient features of ragas | Six Hindustani/Karnatak raga pairs: Yaman/Kalyani; Bhairav/Mayamalavagaula; Alhaiya Bilawal/Shankarabharanam; Malkauns/Hindolam; Bageshree/Shri Ranjani; Bhupali/Mohanam |
Section B: Dance
Section B: Dance (six units) names eight classical forms and then moves to theory: terms, texts, abhinaya and rasa, and the institutions and festivals of the dance world.
| Unit | What it covers |
|---|---|
| Unit I: Brief knowledge of the classical dances of India | Kathak, Bharatnatyam, Manipuri, Kathakali, Odissi, Kuchipudi, Mohiniattam and Sattriya — their history, dance repertoire, music both vocal and instrumental, and costume and make-up |
| Unit II: Life sketches of chief exponents | Life sketches of chief exponents and contributors of the different dance forms, past and present |
| Unit III: Terms | Sangeet; Natan Bheda (Natya, Nritta, Nritya); Tandav, Lasya; Lokdharmi, Natyadharmi |
| Unit IV: Texts and folk dances | Texts: Abhinaya Darpan, Natya Shastra, Abhinaya Chandrika, Hasta Lakshana Deepika; major folk dances of India |
| Unit V: Abhinaya and Rasa theory | Aangika, Vachika, Aaharya, Satwika; Nav rasa and sthayi bhaav; Bhaav, Vibhaav, Anubhaav, Sanchari |
| Unit VI: Survey of classical dance practice | Elementary knowledge of the premier classical dance gharanas, organisations, institutions and university departments; major dance festivals |
Section C: Percussion music
Section C: Percussion Music — Hindustani and Karnatak (seven units) is built around three instruments, Tabla, Pakhawaj and Mridangam, and is the most vocabulary-heavy section: Unit III alone lists more than twenty technical terms.
| Unit | What it covers |
|---|---|
| Unit I: Structure of the instruments | Basic knowledge of the structure of Tabla, Pakhawaj and Mridangam |
| Unit II: Varnas | Varnas of Tabla, Pakhawaj and Mridangam |
| Unit III: Terms | (a) Tala, Matra, Tali, Khali, Vibhag, Tihai, Sam; (b) Theka, Kayada, Rela, Tukda, Paran, Peshkar, Uthan, Chakradar and Farmaishi Chakradar; (c) Sarvalaghu, Gati, Koraippu, Korvai, Pharan, Mohra, Chapu, Muktayippu; (d) study of Laya, Layakari and Jati |
| Unit IV: Tala notation | Elementary knowledge of the Bhatkhande Tala notation system and the Karnatak Tala notation system |
| Unit V: Origin and gharanas | Brief study of the origin of Tabla, Pakhawaj and Mridangam; brief study of the gharanas of Tabla and Pakhawaj |
| Unit VI: Prescribed Talas | (a) Teentala, Jhaptala, Ektala, Rupak, Keharwa and Dadra; (b) Chautala, Sooltala, Khemta, Dhamar; (c) Dhruva, Mathya, Rupaka, Jhampa, Triputa, Ata, Eka |
| Unit VII: Biographies | (a) Pt. Kishan Maharaj, Ustad Zakir Hussain; (b) Raja Chatrapati Singh, Guru Purushottam Das; (c) Palani Subramania Pillai, Palghat Mani Iyer |
Section D: Drama and theatre
Section D: Drama-Theatre (six units) moves from Sanskrit drama to modern Indian theatre, then from Greek and Shakespearean drama to the modern West, before closing with stagecraft and institutions. For each group of playwrights the document says the student "can identify and study one text (one play)"; it does not prescribe which.
| Unit | What it covers |
|---|---|
| Unit I: Introduction to Indian classical and traditional theatre | Leading Sanskrit playwrights — Bhasa, Kalidasa, Sudraka, Bhavabhuti (the student can identify and study one play by these playwrights); major traditional theatre forms |
| Unit II: Modern / contemporary Indian theatre | Survey of major modern and contemporary styles and works in Hindi/English; playwrights Rabindranath Tagore, Bhartendu Harishchandra, Vijay Tendulkar, Mohan Rakesh, Dharamveer Bharti, Badal Sarcar, Shankar Shesh, Girish Karnad, Chandrasekhar Kambar, Madhu Rye (the student can identify and study one play by these playwrights); practitioners of modern Indian theatre: Shambhu Mitra, B. V. Karanth, Habib Tanvir, K. N. Panikkar, Ratan Thiyam, Utpal Dutt, Rajender Nath, Jabbar Patel, Vijaya Mehta, Satyadev Dubey, E. Alkazi, Pravin Joshi |
| Unit III: Introduction to Western classical and medieval drama | Leading Greek playwrights — Aeschylus, Sophocles, Euripides (the student can identify and study one play by these playwrights); Shakespearean drama (the student can identify and study one play of Shakespeare) |
| Unit IV: Modern / contemporary Western theatre | Survey of major contemporary styles and works in English or English translation; Chekhov, Ibsen, Strindberg, Shaw, O'Neill, Miller, Ionesco, Beckett, Pinter, Stoppard, Pirandello (the student can identify and study one play by these playwrights); practitioners of modern Western drama — (a) Stanislavsky, Lee Strasberg, Bertolt Brecht, Meyerhold, Peter Brook; (b) Marlon Brando, Laurence Olivier, John Gielgud |
| Unit V: Theatre production, architecture and design | Types of theatres: proscenium, arena, theatre in the round, thrust; elements of play production: set, light, costume, make-up, sound and music |
| Unit VI: Theatre organisations and the research project | Review of Indian theatre organisations — NSD, university theatre departments, Sangeet Natak Akademi, Zonal Cultural Centres; developing and documenting the research project — examples of research projects in different aspects of theatre, using media and sources for the project |
What this syllabus does not tell you
The document is a topic list and nothing more. From it you cannot learn:
- whether you answer one section or all four, how many questions come from each, or the marks, negative marking and duration — those are on the exam pattern;
- the weightage of any unit, so treat every unit in your section as examinable rather than ranking them;
- which play to study where the document says "one text (one play)"; the choice is left open;
- which books or recordings to use; the syllabus names no textbook;
- how much weight a university gives this paper once you qualify — the programmes that accept it are listed below, but the marks or ranking rule each one applies sits in its own admission bulletin.
One caution: the document is typed but carelessly proof-read. Many names are misspelt in it (for example "Euripedese", "Marlin Brando", "John Grilgood", "Violon", "Mrindangam"); the tables above use the standard spellings, so if you are checking a name against the PDF, expect the printed form to differ slightly. The last unit of Section D is printed with a number but no title. For anything about attempt rules or numbers of questions, go to the NTA information bulletin and the exam pattern rather than to this list.
Where this paper can take you
Programmes whose rule can use Performing Arts (Dance, Drama, Music), from the 8 universities whose documents we have read. 4 of them cannot be reached any other way.
B Design (Fashion) [ 2+2 with international credit transfer option] · B Sc (IT) [2+2 with international credit transfer option] · B. Arch. · and 104 more
B.A. (Hons.) Political Science · B.A. (Programme) · B.A. (Hons.) Psychology · and 45 more
Bachelor of Arts (Global Studies) · Bachelor of Arts (Hons.) - Economics · Bachelor of Arts (Hons.) - English · and 11 more
Bachelor of Fine Arts (BFA) · B.A. LL.B. (Hons.) · Five Year Integrated Programme in Management (BBA & MBA) · and 7 more
Drama & Theatre Arts (Major) · Hindustani Classical Music (Instrumental) - Esraj (Major) · Hindustani Classical Music (Instrumental) - Pakhawaj (Major) · and 7 more
Bachelor of Performing Arts - Hindustani Music (Vocal) · Bachelor of Performing Arts - Instrumental Music (Sitar/Violin) · Bachelor of Performing Arts (Tabla)
Bachelor of Performing Arts — Vocal, Instrumental (Sitar/Flute/Tabla), Dance (Bharatanatyam/Kathak)