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Performing Arts (Dance, Drama, Music)

Subject code 320 · domain paper

4
programmes strictly require Performing Arts (Dance, Drama, Music)
2
universities among them

Each of those rules names Performing Arts (Dance, Drama, Music) outright — no combination of the other papers reaches them. That is the whole case for spending one of five slots on it.

The paper at a glance

Performing Arts (Dance, Drama, Music) carries the subject code 320. The syllabus described here is the one published for 2026-27.

One document serves four very different disciplines. A sitar student, a Kathak dancer, a tabla player and a theatre student all sit under the same code, and the syllabus keeps their material in separate sections rather than blending it.

How the syllabus is organised

The document is laid out in four sections — Section A: Vocal-Instrumental Melodic (Hindustani-Karnatak Music); Section B: Dance; Section C: Percussion Music (Hindustani and Karnatak); Section D: Drama-Theatre. The cover puts the disciplines in the order "Dance, Drama, Music", but the sections themselves run Music, Dance, Percussion, Drama.

The syllabus is a list of topics only. It does not print question counts, marks, negative marking or timing, and it does not say whether a candidate answers one section or all four. Read it alongside the exam pattern.

Section A: Vocal and instrumental melodic music

Section A: Vocal-Instrumental Melodic — Hindustani-Karnatak Music (seven units) covers Hindustani and Karnatak music together. Most units pair a Hindustani term or raga with its Karnatak counterpart, so a student from either tradition can recognise the ground.

UnitWhat it covers
Unit I: DefinitionsSangeet, Nad, Shruti, Swara (Shuddha, Komal, Teevra), Pitch, Intensity, Timbre, Gram, Murcchana, Varna, Alankar, Raga, Alap, Tana, Gamak, Meend, Kan
Unit II: Basic conceptsVadi, Samvadi, Anuvadi, Vivadi, Uttarang, Puravang, Aroh, Avroh, Pakad, Thata (Mela), Jati — Audav, Shadav, Sampurna and its varieties
Unit III: Laya and TalaLaya: Vilambit, Madhya, Drut; Layakari: Dagun, Tigun, Chaugun, Chegun; Tala, Matra, Tali, Khali, Sam, Vibhag, Avartan; knowledge of prominent Talas: Teental, Ektala, Dadra, Keharwa, Jhaptala, Rupak, Adi, Saptala, Chaputala, Rupakam
Unit IV: Musical formsPrabandh, Drupad, Khayal, Thumri, Tarana, Maseet Khani and Razakhani Gat, Kriti, Pallavi, Padam, Tillana
Unit V: Contribution of musicians and composersV. N. Bhatkhande, Omkar Nath Thakur, Allaudin Khan, Mushtaq Ali Khan, Tyagaraja, Purandaradasa, Rabindranath Tagore, Kazi Nazrul Islam
Unit VI: Musical instruments and their classificationString (Tatta): Sitar, Tanpura, Saraswati Veena, Sarod, Sarangi, Violin; Percussion (Avanaddha): Tabla, Pakhawaj, Mridangam, Ghatam, Khanjira, Dholak; Wind (Sushir): Flute, Shehnai, Nagaswaram, Harmonium; Metallic (Ghan): Chimta, Cymbal, Ghungaroo, Khadtala, Chipla, Morchung
Unit VII: Salient features of ragasSix Hindustani/Karnatak raga pairs: Yaman/Kalyani; Bhairav/Mayamalavagaula; Alhaiya Bilawal/Shankarabharanam; Malkauns/Hindolam; Bageshree/Shri Ranjani; Bhupali/Mohanam

Section B: Dance

Section B: Dance (six units) names eight classical forms and then moves to theory: terms, texts, abhinaya and rasa, and the institutions and festivals of the dance world.

UnitWhat it covers
Unit I: Brief knowledge of the classical dances of IndiaKathak, Bharatnatyam, Manipuri, Kathakali, Odissi, Kuchipudi, Mohiniattam and Sattriya — their history, dance repertoire, music both vocal and instrumental, and costume and make-up
Unit II: Life sketches of chief exponentsLife sketches of chief exponents and contributors of the different dance forms, past and present
Unit III: TermsSangeet; Natan Bheda (Natya, Nritta, Nritya); Tandav, Lasya; Lokdharmi, Natyadharmi
Unit IV: Texts and folk dancesTexts: Abhinaya Darpan, Natya Shastra, Abhinaya Chandrika, Hasta Lakshana Deepika; major folk dances of India
Unit V: Abhinaya and Rasa theoryAangika, Vachika, Aaharya, Satwika; Nav rasa and sthayi bhaav; Bhaav, Vibhaav, Anubhaav, Sanchari
Unit VI: Survey of classical dance practiceElementary knowledge of the premier classical dance gharanas, organisations, institutions and university departments; major dance festivals

Section C: Percussion music

Section C: Percussion Music — Hindustani and Karnatak (seven units) is built around three instruments, Tabla, Pakhawaj and Mridangam, and is the most vocabulary-heavy section: Unit III alone lists more than twenty technical terms.

UnitWhat it covers
Unit I: Structure of the instrumentsBasic knowledge of the structure of Tabla, Pakhawaj and Mridangam
Unit II: VarnasVarnas of Tabla, Pakhawaj and Mridangam
Unit III: Terms(a) Tala, Matra, Tali, Khali, Vibhag, Tihai, Sam; (b) Theka, Kayada, Rela, Tukda, Paran, Peshkar, Uthan, Chakradar and Farmaishi Chakradar; (c) Sarvalaghu, Gati, Koraippu, Korvai, Pharan, Mohra, Chapu, Muktayippu; (d) study of Laya, Layakari and Jati
Unit IV: Tala notationElementary knowledge of the Bhatkhande Tala notation system and the Karnatak Tala notation system
Unit V: Origin and gharanasBrief study of the origin of Tabla, Pakhawaj and Mridangam; brief study of the gharanas of Tabla and Pakhawaj
Unit VI: Prescribed Talas(a) Teentala, Jhaptala, Ektala, Rupak, Keharwa and Dadra; (b) Chautala, Sooltala, Khemta, Dhamar; (c) Dhruva, Mathya, Rupaka, Jhampa, Triputa, Ata, Eka
Unit VII: Biographies(a) Pt. Kishan Maharaj, Ustad Zakir Hussain; (b) Raja Chatrapati Singh, Guru Purushottam Das; (c) Palani Subramania Pillai, Palghat Mani Iyer

Section D: Drama and theatre

Section D: Drama-Theatre (six units) moves from Sanskrit drama to modern Indian theatre, then from Greek and Shakespearean drama to the modern West, before closing with stagecraft and institutions. For each group of playwrights the document says the student "can identify and study one text (one play)"; it does not prescribe which.

UnitWhat it covers
Unit I: Introduction to Indian classical and traditional theatreLeading Sanskrit playwrights — Bhasa, Kalidasa, Sudraka, Bhavabhuti (the student can identify and study one play by these playwrights); major traditional theatre forms
Unit II: Modern / contemporary Indian theatreSurvey of major modern and contemporary styles and works in Hindi/English; playwrights Rabindranath Tagore, Bhartendu Harishchandra, Vijay Tendulkar, Mohan Rakesh, Dharamveer Bharti, Badal Sarcar, Shankar Shesh, Girish Karnad, Chandrasekhar Kambar, Madhu Rye (the student can identify and study one play by these playwrights); practitioners of modern Indian theatre: Shambhu Mitra, B. V. Karanth, Habib Tanvir, K. N. Panikkar, Ratan Thiyam, Utpal Dutt, Rajender Nath, Jabbar Patel, Vijaya Mehta, Satyadev Dubey, E. Alkazi, Pravin Joshi
Unit III: Introduction to Western classical and medieval dramaLeading Greek playwrights — Aeschylus, Sophocles, Euripides (the student can identify and study one play by these playwrights); Shakespearean drama (the student can identify and study one play of Shakespeare)
Unit IV: Modern / contemporary Western theatreSurvey of major contemporary styles and works in English or English translation; Chekhov, Ibsen, Strindberg, Shaw, O'Neill, Miller, Ionesco, Beckett, Pinter, Stoppard, Pirandello (the student can identify and study one play by these playwrights); practitioners of modern Western drama — (a) Stanislavsky, Lee Strasberg, Bertolt Brecht, Meyerhold, Peter Brook; (b) Marlon Brando, Laurence Olivier, John Gielgud
Unit V: Theatre production, architecture and designTypes of theatres: proscenium, arena, theatre in the round, thrust; elements of play production: set, light, costume, make-up, sound and music
Unit VI: Theatre organisations and the research projectReview of Indian theatre organisations — NSD, university theatre departments, Sangeet Natak Akademi, Zonal Cultural Centres; developing and documenting the research project — examples of research projects in different aspects of theatre, using media and sources for the project

What this syllabus does not tell you

The document is a topic list and nothing more. From it you cannot learn:

  • whether you answer one section or all four, how many questions come from each, or the marks, negative marking and duration — those are on the exam pattern;
  • the weightage of any unit, so treat every unit in your section as examinable rather than ranking them;
  • which play to study where the document says "one text (one play)"; the choice is left open;
  • which books or recordings to use; the syllabus names no textbook;
  • how much weight a university gives this paper once you qualify — the programmes that accept it are listed below, but the marks or ranking rule each one applies sits in its own admission bulletin.

One caution: the document is typed but carelessly proof-read. Many names are misspelt in it (for example "Euripedese", "Marlin Brando", "John Grilgood", "Violon", "Mrindangam"); the tables above use the standard spellings, so if you are checking a name against the PDF, expect the printed form to differ slightly. The last unit of Section D is printed with a number but no title. For anything about attempt rules or numbers of questions, go to the NTA information bulletin and the exam pattern rather than to this list.

Where this paper can take you

Programmes whose rule can use Performing Arts (Dance, Drama, Music), from the 8 universities whose documents we have read. 4 of them cannot be reached any other way.

B Design (Fashion) [ 2+2 with international credit transfer option] · B Sc (IT) [2+2 with international credit transfer option] · B. Arch. · and 104 more

B.A. (Hons.) Political Science · B.A. (Programme) · B.A. (Hons.) Psychology · and 45 more

Bachelor of Arts (Global Studies) · Bachelor of Arts (Hons.) - Economics · Bachelor of Arts (Hons.) - English · and 11 more

Bachelor of Fine Arts (BFA) · B.A. LL.B. (Hons.) · Five Year Integrated Programme in Management (BBA & MBA) · and 7 more

Drama & Theatre Arts (Major) · Hindustani Classical Music (Instrumental) - Esraj (Major) · Hindustani Classical Music (Instrumental) - Pakhawaj (Major) · and 7 more

Bachelor of Performing Arts - Hindustani Music (Vocal) · Bachelor of Performing Arts - Instrumental Music (Sitar/Violin) · Bachelor of Performing Arts (Tabla)

Banaras Hindu University1 · 1 only way in

Bachelor of Performing Arts — Vocal, Instrumental (Sitar/Flute/Tabla), Dance (Bharatanatyam/Kathak)

B.A. (Hons.) Economics

See all 194 against my paper set